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Newtek tricaster 460

SKU: NT-TC460MS


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The Tricaster 460 is Newtek's all purpose video production system, scaled down for smaller racks or mobile units where spacial requirements are limited. TC460 delivers professional grade equipment that's easy to use and provides excellent flexibility for producers with mobile configurations.

This package comes with the hardware control surface and support 
for a range of external control devices for audio mixing, robotic camera operation, sequence commands, and even gesturebased talent triggers, TriCaster 460 gives you complete control of your content, whether you’re producing for broadcast, streaming live to the Web, projecting to a big screen, creating an engaging second-screen experience—or all of the above.

Revolutionize your moderate-sized shows with:

  • 4-camera, 4-M/E 16-channel video switcher
  • Integrated audio mixer, media players, titles, graphics, and DVE effects
  • Versatile 2U rackmount frame
  • Either all-digital SDI I/O, or mix-and-match analog and digital SD/HD

Look like a TV giant without the stacks of gear

Designed to deliver maximum impact with a minimal footprint, TriCaster 460 and 410 are ideal for producers who need to create high-end video smoother, faster, and easier.

Turnkey, 15-Channel Multi-Camera

Connectivity for 4 cameras. Video playback for full-length packages or short b-roll clips. Media bins for graphics and sound files. Network sources for sharing computer displays or any network source. And mix/effects to craft compositions and virtual sets from truly realistic to the most elaborate imaginable.

4-Channel Mixing and Recording

Be seriously forward-thinking about every asset you capture, with IsoCorder technology providing multi-track, multi-format recording of up to four simultaneous channels—for repurposing later or creating an entire new program.

2U rackmount chassis

Hardware and software fail-safe

Small Footprint

Mountains of gear are a thing of the past. Make the most of just 2U of rack space in a flightpack or tight space, and gain a freedom of movement that's just not possible with racks of individual components pieced together.

Automation

Take it easier. Record common moves with macros, and expand production possibilities while reducing on-air mistakes. Streamline sequences with a single click when they’re too complicated to execute live. Use MIDI control, on-camera hotspots, and PTZ cameras to make smaller productions look like larger shows.

Multi-Channel Publishing

Generate second-screen content for social networks during the live show, and extend your brand to online and second-screen platforms; or share assets to other locations for instant access by postproduction teams. The more audiences, the more your brand can grow.

Ready for IP— and Beyond

Take your productions to unprecedented levels with the optional TriCaster Advanced Edition software upgrade, adding more than 100 production-enabling features without spending a penny on more hardware. You’ll unleash an exponential workflow that knows no bounds with NDI®, our own IP video protocol—access any source, anywhere on your LAN over a standard ethernet connection.

TriCaster 460

Flexible I/O for production versatility.

  • Mix-and-match SDI and analog I/O
  • Analog and digital output connections up to 11 max
  • Removable drive bay & built-in Genlock

TriCaster 460 Control Surface

Complete control for mid-sized and small-scale productions on site and on location.

The perfect fit for mobile productions or tight spaces, the TriCaster 460 CS allows you to maintain a small production footprint without sacrificing manual control—whether you work with TriCaster 460, TriCaster 410 or TriCaster Mini.

Surface ~ 23.5 x 0.5 x 11.6 in (59.7 x 1.3 x 29.5 cm) Base ~ 22.5 x 2.0 x 10.8 in (57.2 x 5.1 x 27.4 cm)

Features

  • Compact frame and intuitive layout ideal for use with TriCaster 460, TriCaster 410 and TriCaster Mini
  • Illuminated buttons for heightened visibility of control surface activity
  • Premium T-Bar and three-axis joystick for precision control of effects
  • Synchronized control of multiple production elements with versatile, multi-select delegate controls
  • Durable, ergonomic design for confident, comfortable performance
Switcher Channels 16 – 6 external, 6 internal, 4 M/E buses Video Input 4 simultaneous live video sources, in any combination of supported connection types, resolutions and frame rates
  • Direct input of cameras and video devices in any combination of HD-SDI, HD Component, SD-SDI, SD Component, Y/C or Composite connections
  • Per-input format configuration, scaler (including 3:2 intelligent pull-down) and frame synchronizer enabling intermixing of formats
  • Per-input color correction, crop and LiveMatte keyer controls
  • Support for Key + Fill input pairing
Network Sources 2 live inputs via Gigabit connection, selectable from any available network sources with support for video, audio and alpha channel
  • Supported sources include NDI®-compatible and AirSend-compatible systems, devices and applications, networked computers via iVGA, USB video sources, video over IP sources, RTMP and RTSP streams, HTTP streaming video sources, and video and CG sources from compatible third-party partner solutions
Robotic Camera Support Access up to 4 live Pan-Tilt-Zoom (PTZ) robotic cameras via standard serial and network protocols, with preset system and user interface control over camera orientation, zoom, focus and iris Media 5 integrated digital media players for video, graphics and sounds
  • 2 x DDR
  • 2 x GFX
  • 1 x Sound
Buffers 15 media buffers to store and playback video, animations, still images and graphics
  • 5 animation buffers and 10 still & title buffers, with multiviewer, animation preview, title editing and presets
  • Shareable across a network for watch folder application, with real-time edit and update of content
Mix/Effect Buses (M/E) 4 freely configurable M/E buses for video mixing, compositing, effects and virtual sets, each supporting independent key layer, TransWarp effects, and Adobe® Photoshop® blending modes between layers
  • Mix mode: Enables secondary switcher operation for output, submix or recording, with Program/Preview workflow and transitions
  • Effects mode: Enables multi-layer compositing, effects generation and virtual set application, with per-source 3D DVE, scaling, cropping and keying
Macros Record configurations and operation sequences, then attach to control surface buttons, keyboard shortcuts, MIDI buttons, GPI triggers or on-screen hotspots for recall and automation
  • Macro editor for modifying user-defined macro configurations and sequences
  • Augment and extend TriCaster operation using macro plug-ins to control external devices and applications
  • Enable cross-platform commands and automation between supported systems
DSKs 2 primary DSK channels, plus 1 additional key layer per M/E bus, each with independent transition controls, 3D DVE, scaling, cropping and integrated TransWarp effects Effects and Transitions Integrated TransWarp effects engine on all effects channels supporting standard transitions, customizable animation store transitions with audio, and overlay effects
  • Supports per-pixel alpha blending between sources and real-time 3D warping of video or graphics
  • Includes Animation Store Creator for custom animations
Virtual Sets 30+ HD live virtual sets, with presets, multiple camera angles, real-time reflections, and specular highlights
  • Live pan and zoom of virtual camera and customizable virtual camera presets with animated pan, zoom and pedestal moves
  • Support for up to 2 switchable live sources, with per-source 3D DVE, scaling, cropping and keying
  • Supports custom-created virtual sets generated using NewTek Virtual Set Editor or third-party partner solutions
Holographic Live Virtual Sets Support for custom virtual environments generated from panoramic smartphone, camera or DSLR images
  • Select sets included; custom sets require Virtual Set Editor 2.5 (sold separately)
Hotspots Up to 8 freely configurable, interactive hotspots per input for macro control Video Output Configurable for up to 11 output connections, with support for key output and per-connection signal settings
  • 2 x SDI
  • 2 x Analog (configurable for Component or Y/C + Composite)
  • 1 x HDMI output
  • 2 x supplemental Display outputs (1 x VGA and 1 x video-only HDMI) for additional screens or projectors
  • 1 x Stream output
  • 1 x Network output via NDI or AirSend to compatible receiving device(s)
Recording Multi-track, multi-format recording of up to 4 simultaneous channels via IsoCorder technology
  • Native recording in up to 1080p with timecode
  • Encoding format selectable from: QuickTime® (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio), MPEG-2 (high or normal profile), AVI (SpeedHQ), and H.264 (high or Web quality)
  • Freely choose to add recordings to Publish queue and DDR destinations
Recording Capacity Includes 3TB internal drive accommodating ~70 hours 1080i (varies by resolution and format; capacity expandable using additional supported storage)
  • Trayless SATA III removable drive bay with hot-swap support for unlimited storage and backup
  • Simultaneous recording of up to 2 channels to internal drive; support for up to 4 channels with removable, external or shared storage connected
  • Supports recording to external storage via USB 3.0
  • Supports shared storage integration via third-party partner solutions
Grab Grab full resolution, de-fielded still images from inputs and outputs, and freely choose to add grabs to Publish queue, Media Player presets and Buffer destinations Media Publishing Supports direct content upload to Facebook, Twitter, YouTube, FTP, local or external volumes, and network servers Live Streaming HD live streaming with simultaneous stream file archive
  • Support for RTMP streaming, Microsoft® Windows Media® Push/Pull, and browser-based streaming applications
  • Support for most common streaming profiles and custom multi-bitrate streaming profiles, including presets up to 720p
  • Streaming Profile Manager with integrated Web browser
Audio Inputs 4 x SDI embedded
3 x 2 Balanced 1/4” (Mic/Line)
1 x 2 Balanced XLR (Mic/Line)
Phantom Power Support
Audio Outputs 2 x SDI embedded
1 x 2 Balanced XLR
1 x 2 Balanced 1/4” (AUX)
1 x Stereo 1/4” (phones)
Audio Mixing Integrated multi-channel audio mixer for internal and external audio sources, outputs, stream and headphones, with 4 fully independent stereo output mixes
  • Pan control, solo auditioning, seven-band equalizer and stereo compressor/limiter per input and output, with per-input audio delay control
  • Multi-bus routing of audio source channels to any combination of outputs, with independent level control over channels 1/2 and 3/4 for quad sources
  • Audio Follow Video system enabling audio to follow multiple video sources, with support for unlimited audio grouping combinations
  • Digital audio inputs equipped with audio time-base synchronizers
  • Supports hardware control via Avid® Artist Mix audio control surface (sold separately)
Supported Session Formats NTSC model:
  • 1080/30p, 1080/24p, 1080/60i, 720/60p, 720/30p, 720/24p, 480/60i
Multi-Standard model:
  • NTSC 1080/30p, 1080/24p, 1080/60i, 720/60p, 720/30p, 720/24p, 480/60i
  • NTSC-J 1080/30p, 1080/24p, 1080/60i, 720/60p, 720/30p, 720/24p, 480/60i
  • PAL 1080/25p, 1080/24p, 1080/50i, 720/50p, 720/25p, 720/24p, 576/25i
Supported Media File Formats
  • Video: AVI, DV, DVCPro, DVCProHD, FLV, F4V, H.263, H.264, MOV, MKV, MJPEG, MPEG (1, 2, all profiles, program or transport streams), MP4, WMV, WebM, and more
  • Image: PSD, PNG, TGA, BMP, JPEG, EXR, RAW, TIF, and more
  • Audio: AIFF, MP3, WAV, and more
Media Import Import Media application for batch import of files with optional transcoding to file formats suitable for live production use Media Export Export Media application for batch export of files with optional transcoding to compatible formats for different applications and devices Monitoring DVI and HDMI monitor outputs for user interface and multiviewer displays
  • Preview all sources or select sources in a variety of layouts and dual-monitor display combinations via Workspaces control panel
  • Viewports freely configurable for any combination of input sources, Program, Preview, M/E buses, clocks or images
  • A/V indicator and guide overlays configurable per viewport
Signal Monitoring Integrated Waveform and Vectorscope, full field rate with digital calibration, color preview and support for ITU-R Rec. 601 and 709 Session Management Setup and store session settings in reusable template sessions Throughput Latency ~1.0-2.0 frames Processing Video: 4:4:4:4, 32-bit Floating Point
Audio: Floating Point, 96 kHz
A/V Standards
  • HD-SDI video conforms to SMPTE 292M
  • SD video conforms to SMPTE 259M and ITU-R BT.656
  • Analog audio levels conform to SMPTE RP-155
Tally Support for hardware tally via HD15 GPI connector, network tally via NDI, and Blackmagic Design® SDI tally standard Genlock Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals MIDI Support for standard MIDI protocol enabling third-party device control of TriCaster operations via macros GPI Supports GPI signals via JLCooper Electronics eBOX GPI interface Control Surface Optional TriCaster 460 hardware control surface
  • Surface ~ 23.5 x 0.5 x 11.6 in (59.7 x 1.3 x 29.5 cm)
  • Base ~ 22.5 x 2.0 x 10.8 in (57.2 x 5.1 x 27.4 cm)
System Physical 2RU chassis with 430W PSU and multi-tiered hardware and software fail-safe
  • 19.0 x 3.5 x 21.5 in (48.3 x 8.9 x 54.6 cm)
  • 26 lbs (11.8 kg)
 

We understand that sometimes you may need to return a product you have purchased from Vizcom Technologies. To assist you, we have set out the Vizcom Technologies Returns Policy in more detail under our terms and conditions page. 

1. Australian Consumer Law

Our Returns Policy includes, and does not seek to exclude or limit, the rights you have under the Australian Consumer Law (if you are a consumer) and other relevant laws.

If you are a consumer under the Australian Consumer Law:

  • Our goods come with guarantees that cannot be excluded under the Australian Consumer Law. You are entitled to a replacement or refund for a major failure and for compensation for any other reasonably foreseeable loss or damage. You are also entitled to have the goods repaired or replaced if the goods fail to be of acceptable quality and the failure does not amount to a major failure. For more information on product warranties please refer to the individual manufacturers warranty period. 

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