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Canon EOS C700 4K Cinema EOS System

SKU: EOS-C700-PL


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JUST ANNOUNCED FOR AUSTRALIA! Pricing to come soon, expected release DECEMBER 2016.

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Canon has stepped higher into the 4K realm with the recent announcement of the EOS C700, shaped more like a traditional cinema camera brain and packed with higher data and frame rates than any of their previous cameras, this could be set to make waves in the cinematography circles. 

Canon has unveiled two new flagship models in the esteemed Cinema EOS system – the EOS C700 (EF/PL) and EOS C700 GS PL. Both models are ready for the 4K generation, enabling high-end production houses and broadcasters to intuitively and easily shoot with a wide dynamic range, in supreme quality. The EOS C700 cameras capture creative slow motion 4K video footage internally with high frame rates of up to 59.94P/50P and 2K up to 200p/240p (sensor crop mode), or 4K RAW up to 100P/120P, to the optional dockable Codex[i] RAW recorder. Building on the Cinema EOS System range, the powerful video cameras are modular in design, to adapt to all shooting requirements and include support for the Apple ProRes format for the first time. Designed for fast-moving subjects and action scenes, the EOS C700 GS PL is also the first Cinema EOS camera with a global shutter.

EOS C700 – Key Benefits

  • 4K (4,096 x 2,160) video recording at up to 810Mbps
  • Internal 10/12-bit XF-AVC or ProRes recording
  • 4K recording at up 59.94P/50P internally or 100P/120P with optional Codex recorder
  • Up to 15 stops dynamic range
  • Dual Pixel CMOS AF (EOS C700 only) or Global Shutter model options

[i] Developed in collaboration with Canon, the optional dedicated and dockable CODEX RAW recorder CDX-36150

Quality and versatility for every production

Created with cinematographers and high-end broadcast production professionals in mind, both models deliver the versatility that the industry demands using a Canon Super 35mm CMOS sensor with a maximum pixel count of 4.5K[ii]  (EOS C700 GS PL at 4.2K). Combining the sensor with triple DIGIC DV5 processors, documentary makers can capture natural history and compelling stories in incredible detail, delivering spectacular high-resolution videos with low-noise and shallow depth of field. Together, with a high ISO of up to 102,400 and built-in ND filters, with up to 10-stops of control, both models offer enhanced flexibility and stunning cinematic detail, in even the most challenging of lighting conditions.

 

The EOS C700 EF’s Dual Pixel CMOS AF is incredibly effective at locking onto and tracking a subject allowing the camera operator to concentrate on framing the shot, making it easier for news reporters to film accurately on the move. Operators on drama productions will appreciate the acclaimed Dual Pixel Focus Guide feature, which is ideal for greater control and accuracy. Supporting Canon Log 3, Log 2 and Log Gammas, the EOS C700 (EF/PL) is capable of recording up to an incredible 15-stops of Dynamic Range (14-stops with the EOS C700 GS PL), where footage can be graded with greater confidence and flexibility in HDR post-production workflows.

 

Professional workflow integration

The EOS C700 (EF/PL) provides a wide range of colour space options, including the Canon Cinema Gamut, BT.2020, and DCI-P3, as well as support for ACES 1.0 workflow. The camera also supports HDR monitoring with SMPTE ST.2084. For a truly integrated, efficient and reliable HDR workflow, all versions of the EOS C700 can connect directly to the new DP-V2420, Canon’s 4K high luminance reference monitor that is able to support the new ITU-R BT.2100 standard for HDR output.

 

Offering universal appeal for high-resolution production, the EOS C700 is capable of recording high bitrate 4K files internally to dual CFast 2.0™, supporting both XF-AVC and ProRes formats, while simultaneously recording 4K RAW files to an external recorder. Equipped with an Ethernet (RJ45) terminal, the EOS C700 allows broadcasters to live stream Full HD footage via the internet, and also can be connected to a wireless network using the optional wireless file transmitter (WFT-E6B/WFT-E8).

 

To complement this powerful new camera, Canon has worked with Codex to provide a fully-integrated recording and workflow solution. The combination of the dockable Codex RAW recorder (CDX-36150) with the Canon EOS C700 allows for high-speed 4K RAW recording at up to 120 frames per second (fps). Future firmware upgradesi will include 4.5K RAW recording at up to 100 fps, 4K Apple ProRes at up to 60 fps, and Apple 2K ProRes at up to 120 fps. Codex’s production-proven recording media – Codex Capture Drives – are used for both RAW and higher-speed ProRes recording. Along with images, frame-accurate metadata such as lens information can also be captured, streamlining production and post-production processes and delivering time and money savings.

 

Build the camera your own way

The camera can be adapted to suit the needs of the individual as well as for each filming scene. For full customisation, there is an extensive range of optional accessories – including a new 0.7’’OLED viewfinder system, the EVF-V70, which offers Full HD resolution (1920 x 1080) with a wide colour gamut. The optional Remote Operational Unit OU-700 can also be used to control the camera when shooting with a multi-member team. For newsgatherers and high-end documentary makers, a bespoke Shoulder Support Unit, the SU-15, and new Shoulder Style Grip Unit, the SG-1, will be available for on-the-move shooting.

 

For complete creative freedom and choice, anamorphic lenses are supported, along with a huge range of EF and PL lenses, plus the ability to use compatible Canon broadcast lenses with the optional B4 mount adapters (in Full HD mode). The EOS C700 with EF mount with Cinema Lock and EOS C700 PL with Cook/i support can even swap mounts by Canon service, if user requirements change.

 

[ii] Firmware updates planned to be released at the end of March 2017

Sensor CMOS Sensor with DAF Technology
Image Processing Triple Digic DV 5
Pixels Total: Approx. 11.54 megapixels (4622 x 2496)
4K/2K: Approx. 8.85 megapixels (4096 x 2160) - when 4096 x 2160 or 2048 x 1080 is selected as the resolution
Effective: Approx. 8.29 megapixels (3840 x 2160) - when 3840 x 2160 or 1920 x 1080 is selected as the resolution
Raw Recording Pixels: 4512 x 2376 (with March 2017 update)
System Frequency Selection 59.94, 50.00, 24.00 Hz
59.94 Hz mode: 59.94p/59.94i/29.97p/23.98p 50.00 Hz mode: 50p/50i/25p 24.00 Hz mode: 24p
Mount EF (cinema lock type) oe PL Mount
Shutter Type Standard or Global Shutter Available in PL Mount
Shutter Modes Speed
Angle
Clear Scan
Slow
Off
Shutter Setting Either 1/3 or 1/4 steps selected as speed increment
ISO Normal: 160 to 25,600
Expanded: 100 to 102,400
Gain Normal: -2 to 42 dB
Expnaded: -6 to 54 dB
Increments: 0.5 dB when Fine is selected
ND Filter Normal: 2, 4, 6 stops
Expansion: 2, 4, 6, 8, 10 stops
Mechanism: Motorized
Focus Control Manual Focus
One-Shot AF
Continuous AF
AF-Boosted M
Face Detection AF

Please Note: Only lenses that support AF functions can be used in any of these modes
LCD Screen 3.0" / 7.66 cm (diagonal)
Approximately: 1.036
Recording Media CFast Card Slot: 2 x slots (records XF-AVC/ProRes), custom pictures, metadata recording
SDXC Card Slot: 1 s slot (records movies (XF-AVC (proxy), photos (JPEG), custom pictures, metadata, menus and other data
Compression Format Video
XF-AVC/ MPEG-4 AVC/H.264
ProRes/ Apple ProRes Codec
Raw / Uncompressed

Audio
Linear PCM (24-bit 48 kHz)
4 - channel recording
Recording XF-AVC YCC
4096x2160: YCC422 10-bit
3840x2160: YCC422 10-bit
2048x1080: YCC422 10-bit
1920x1080: YCC422 10-bit

XF-AVC RGB
2048x1080: RGB444 12-bit
1920x1080: RGB444 12-bit
2048x1080: RGB444 10-bit
1920x1080: RGB444 10-bit

ProRes YCC
4096x2160: YCC422 10-bit
3840x2160: YCC422 10-bit
2048x1080: YCC422 10-bit
1920x1080: YCC422 10-bit

ProRes RGB
2048x1080: RGB444 12-bit
1920x1080: RGB444 12-bit

RAW
Bit Depth: 10/12-bit
Resolution: 4096 x 2160

XF-AVC (Proxy)
2048x1080: YCC420 8-bit
1920x1080: YCC420 8-bit
Bit Rate: 24/35 Mbps Long-GOP
Timecode Operation Mode: Rec run, free run, regeneration
Count-Up: Non-drop frame (drop frame only in 59.94 Hz mode)
Gamma Canon Log 3
Canon Log 2
Canon Log
Wide DR
Color Space Cinema Gamut
BT.2020 Gamut
DCI-P3 Gamut
BT.709 Gamut
LUT BT.709
BT.2020
DCI
ACESproxy
HDR-ST2084
I/O Connectors Input
Genlock: 1 x BNC (also serves as Sync Out)
Timecode: 1 x BNC (input/out switching)
Remote: A/B
Mic:2 x XLR-3pin

Output
Monitor: 2 x outputs
SDI: 4 x BNC
HDMI: 1 x HDMI
Headphone: 1 x jack
Video: 1 x BNC

Control
Lens: 1 x terminal
Ethernet: 1 x terminal
Ctrl: 1 x terminal
Wi-Fi Standards: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band)
Transmission Frequencies and Channels: IEEE 802.11b/g/n (2.4 GHz band), 2412-2462MHz, 1-11ch (US, Canada, Korea, Taiwan, Philippine, Mexico, Saint Pierre, Miquelon, Brazil) 2412-2472 MHz, 1-13ch (in countries other than the ones listed above)
Authentication: Open system, WPA-PSK, WPA2-PSK
Encryption: WEP-64, WEP-128, TKIP, AES
IP Streaming Bit-Rate/Resolution/Frame Rate
9 Mbps/4 Mbps: 1920x1080 [59.94i/50.00i]
2 Mbps: 1280x720 [29.97p/25.00p]
1.5 Mbps: 720x480(/579)/[59.94i/50.00i]

Audio
MPEG-2 ACC-LC

Audio Rate
128 Kbps (Variable Bit Rate)
Transfer Media
Wi-Fi
Ethernet

Protocols
UDP, RTP, RTP + FEC, RTSP + RTP

Error Correction
FEC
Power Input: 12 VDC (4-pin XLR)
Output: 12/24 VDC 2 A (D-Tap)
Dimensions 6.6 x 6.1 x 12.9" / 16.7 x 15.4 x 32.7 cm
Weight 7.6 lb / 3.4 kg (approximately)
Packaging Info
Package Weight 14.7 lb
Box Dimensions (LxWxH) 18.4 x 13.7 x 13.5"
 

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