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Blackmagic URSA Mini Pro 4.6K Camera Body | CINEURSAMUPRO46K

SKU: CINEURSAMUPRO46K

Blackmagic

  • $8,649.00
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The first quarter of 2017 has ushered in a new camera release for Blackmagic Design. The URSA Mini Pro addresses some of the key requests from current URSA Mini users including the addition of inbuilt ND filters, interchangeable lens mount (EF/PL or B4) with EF as standard, a multitude of external controls rather than diving through endless menu systems ad also the ability to record either C-FAST 2.0 or SD-UHS-II.

Pre-order now. Contact us to make a 20% deposit if you would like to get yourself in the queue! 

Blackmagic URSA Mini Pro Key Features

  • Digital film camera with15 stops of dynamic range.
  • Super 35mm 4.6K sensor with third generation Blackmagic Design color science processing of raw sensor data.
  • Interchangeable lens mount with EF mount included as standard. Optional PL and B4 lens mount available separately.
  • High quality 2, 4 and 6 stop neutral density (ND) filters with IR compensation designed to specifically match the colorimetry and color science of URSA Mini Pro.
  • Fully redundant controls including ergonomically designed tactile controls which allow direct access to the most important camera settings such as external power switch, ND filter wheel, ISO, shutter, white balance, record button, audio gain controls, lens and transport control, high frame rate button and more.
  • Built in dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders allow unlimited duration recording in high quality.
  • Lightweight and durable magnesium alloy body.
  • LCD status display for quickly checking timecode, shutter and lens settings, battery, recording status, and audio levels.
  • Support for CinemaDNG 4.6K RAW files and ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy recording at Ultra HD and HD resolutions.
  • Supports up to 60 fps 4.6K resolution capture in RAW.
  • Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 12G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.
  • Built in high quality stereo microphones for recording sound.
  • 4 inch foldout touchscreen for on-set monitoring and menu settings.
  • Includes full copy of DaVinci Resolve software color grading and editing software.

URSA Mini Pro is designed to be the toughest and most fully featured camera available. It includes everything customers need in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and more. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field, the camera can still be used.

When it comes to image quality, URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide color gamut. Third generation Blackmagic Design color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range digital film production.

URSA Mini Pro features neutral density (ND) filters with IR compensation for quickly reducing the amount of light that enters the camera. The 2, 4 and 6 stop filters are specifically designed to match the colorimetry of the camera and provide additional latitude, even under harsh lighting conditions. That means customers can use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters evenly compensate for both far red and infrared wave lengths to eliminate IR contamination. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned.

The broadcast camera ergonomics of URSA Mini Pro put powerful tactile control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.

URSA Mini Pro has a revolutionary new interchangeable lens mount that makes it compatible with virtually all professional lenses so customers can choose exactly the right lens for the job. Included standard is an EF mount for working with high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the PL mount. There’s even a B4 broadcast lens mount for working with broadcast HD lenses. URSA Mini Pro also includes a standard 12 pin Hirose lens control connector. URSA Mini Pro comes with an EF mount and customers can purchase the optional PL and B4 lens mounts separately.

Featuring both dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders, customers can choose the media that works best for their projects. C-Fast cards are ideal for full resolution RAW recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, the camera never has to stop recording because when the first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera. URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements.

 

Camera Features

Effective Sensor Size

25.34mm x 14.25mm (Super35)

Lens Mount

EF Mount (Interchangable with PL and B4 mount)

Lens Control

Electronic control via EF mount pins or 12-pin broadcast connector for compatible lenses

Dynamic Range

15 Stops.

Shooting Resolutions

4608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048x1080 (2K DCI), 1920 x 1080

Frame Rates

Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p in 4.6K, 120p in 2K windowed.

Built in ND Filters

Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.

Focus

Focus button turns on peaking, auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.

Screen Dimensions

4"

Screen Type

LCD capacitive touchscreen.

Metadata Support

Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Controls

Touchscreen menus on 4” screen. Push buttons for other controls. 2 assignable shortcut keys.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 19 hours.

Connections

Total Video Input

1 x SDI

Total Video Output

1 x SDI, 1 x SDI Monitoring.

SDI Rates

1.5G, 3G, 6G, 12G.

Optical SDI

None.

Analog & AES Audio Input

2 x XLR analog switchable between mic, line and AES audio. Phantom power support.

Analog Audio Output

1 x 3.5mm headphone jack, supports iPhone microphone for talkback.

Audio

Microphone

Integrated stereo microphone.

Built-in Speaker

1 x mono speaker.

Standards

SD Video Standards

None.

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

SDI Audio Sampling

48 kHz and 24 bit

Media

Media

2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.

Please click here for a summary of compatible media.

Media Format

Can format discs to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

Supported Codecs

Codecs

CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.

Control

External Control

Via SDI Input from ATEM switcher or Blackmagic 3G‑Arduino Shield.

Color Corrector

Color Corrector

DaVinci YRGB.

Talkback and Tally

Live Tally Indicator

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Talkback

SDI Channels 15 and 16.

Storage Features

Storage Type

2 x CFast 2.0

2 x SD UHS-II cards

Storage Rates

4608 x 2592

CinemaDNG RAW - 513MB/s

CinemaDNG RAW 3:1 - 180 MB/s

CinemaDNG RAW 4:1 - 135 MB/s

3840 x 2160

Apple ProRes 444 XQ - 250 MB/s

Apple ProRes 444 - 165 MB/s

Apple ProRes 422 HQ - 110 MB/s

Apple ProRes 422 - 73.6 MB/s

Apple ProRes 422 LT - 51 MB/s

Apple ProRes Proxy - 22.4 MB/s

1920 x 1080

Apple ProRes 444 XQ - 62.5 MB/s

Apple ProRes 444 - 41.25 MB/s

Apple ProRes 422 HQ - 27.5 MB/s

Apple ProRes 422 - 18.4 MB/s

Apple ProRes 422 LT - 12.75 MB/s

Apple ProRes Proxy - 5.6 MB/s

Storage rates based on 30 frames per second.

Recording Formats

Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080. Apple ProRes 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with either film or video dynamic range.

Software

Software Included

URSA Mini Operating System.

DaVinci Resolve Studio grading software including Resolve USB dongle for Mac OS X and Windows.

Blackmagic Camera Setup.

Operating Systems

Mac Icon

Mac OS X 10.11 El Capitan,
macOS 10.12 Sierra or later.

Windows Icon

Windows 8.1 or Windows 10. 

Power Requirements

Power Supply

1 x External 12V power supply. 12-pin Molex connector on rear battery plate.

External Power Input

1 x 4-pin XLR port for external power or battery use.

1 x 12-pin molex connector on rear battery plate.

Custom V-mount battery plate with D-tap +12V regulated output from camera.

Power

Rear camera mount compatible with industry standard V-mount or gold mount battery plates.

Accessories

Optional Accessories

URSA Mini Pro PL, B4 and EF mounts

URSA Mini Shoulder Kit including top handle and extender arm

URSA Viewfinder

URSA Studio Viewfinder

URSA Mini Pro Shim Kit

URSA VLock Battery Plate

Physical Specifications

Blackmagic URSA Mini Pro

Environmental Specifications

Operating Temperature

0°to 40°C (32° to 104°F)

Storage Temperature

-20°to 45°C (-4° to 113°F)

Relative Humidity

0% to 90% non-condensing

What's Included

URSA Mini Pro body

Turret dust cap

EF lens mount

Side Handle with LANC Cable and strap

Power supply

SD card with software and manual

DaVinci Resolve Studio USB dongle

Warranty

12 Month Limited Manufacturer's Warranty.

 

We understand that sometimes you may need to return a product you have purchased from Vizcom Technologies. To assist you, we have set out the Vizcom Technologies Returns Policy in more detail under our terms and conditions page. 

1. Australian Consumer Law

Our Returns Policy includes, and does not seek to exclude or limit, the rights you have under the Australian Consumer Law (if you are a consumer) and other relevant laws.

If you are a consumer under the Australian Consumer Law:

  • Our goods come with guarantees that cannot be excluded under the Australian Consumer Law. You are entitled to a replacement or refund for a major failure and for compensation for any other reasonably foreseeable loss or damage. You are also entitled to have the goods repaired or replaced if the goods fail to be of acceptable quality and the failure does not amount to a major failure. For more information on product warranties please refer to the individual manufacturers warranty period. 

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